Get Free Ebook Copyright: What Everyone Needs to Know®

Get Free Ebook Copyright: What Everyone Needs to Know®

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Copyright: What Everyone Needs to Know®

Copyright: What Everyone Needs to Know®


Copyright: What Everyone Needs to Know®


Get Free Ebook Copyright: What Everyone Needs to Know®

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Copyright: What Everyone Needs to Know®

About the Author

Neil Weinstock Netanel holds the Pete Kameron Endowed Chair in Law at the University of California at Los Angeles School of Law. He writes and teaches in the areas of copyright, trademark, and international intellectual property. His recent books include From Maimonides to Microsoft and Copyright's Paradox.

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Product details

Series: What Everyone Needs To Know®

Paperback: 248 pages

Publisher: Oxford University Press (August 10, 2018)

Language: English

ISBN-10: 0199941165

ISBN-13: 978-0199941162

Product Dimensions:

8.2 x 0.7 x 5.5 inches

Shipping Weight: 9.3 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#187,943 in Books (See Top 100 in Books)

Best factual presentation of the topic.

This is a practical guide to copyright law. It does not introduce any new research, but rather restates the facts in a comprehensive way. I definitely had to request this title because I have frequently googled specific copyright laws as I have been running my publishing company. Questions frequently come up regarding reprints, quotes in fair use, and various other potential infringements by others or by the authors I publish or by these authors of their own work. So, this book should help me find more precise answers to all of these questions when I need them next. Online sources typically only skim the surface and it is difficult to verify or trust most of them. In contrast, this book is written by the Chair in Law at the University of California at Los Angeles School of Law, Neil Weinstock Netanel, so his answers are definitive. Of course, this information is not only relevant for publishers nowadays, but to everyday web users, as the cover explains. Anybody can share something that is protected by copyrights on their social media or cloud storage account, stumbling into a potential lawsuit without realizing they are breaking the law. I have stumbled into websites that are offering ebooks of titles I have released for free perhaps to bait potential buyers into uploading a virus or perhaps to garner traffic to their website, without permission from me or from the author. Since I offer electronic review copies for free, it is likely users of review sites use them to steal content. It seems likely that they might also be selling content they are stealing under other names for a profit. These types of thefts are incredibly prevalent, and somebody purchasing a book online is unlikely to know they are breaking the law with each such purchase. Theft of original works have probably led to some of the consolidation and bankruptcies within the publishing industry, so these thefts are hardly innocuous to small publishers who gamble a significant part of their net worth with every new risky release. I love free and cheap books as much as anybody. I received dozens of free books for this set of reviews. I also thoroughly enjoy using free Google Books or free Amazon LookInside options as part of my research because my local library does not offer Interlibrary Loan or other methods of requesting the rare books I typically need. I have also narrowed my media watching to Netflix and YouTube to avoid paying fees for cable or movie theaters. So, I can understand critics who argue for more accessibility to the world of media, but if the price of books, films and the rest drops down to zero, only creators who are non-profits or doing the work for fun rather than a career will be left to create content. So, those who work on the margins of this dilemma, like music producers, definitely should be familiar with the law so that they sample and remix work in a way that is legal and fair to the original creators.A world without original art, and instead crowded by stolen reproductions is a very grim and desolate world indeed.Pennsylvania Literary Journal, Volume X, Issue 2, Summer 2018 (Anaphora Literary Press)

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